I feel like I’m stuck in bad game of Duck, Duck, Goose. And the kid tapping heads is one of those attention-starved rascals who teases with false alarms and circles endlessly until a supervisor puts a cap on the number of laps allowed. At which point, the kid shouts “Goose” at his best friend, a popular kid who has been called upon so many times that the sweat dripping down from his temples has left dirt-streaks. Meanwhile, I haven’t been pronounced a Goose at all, and most of the kids are so indifferent to me that hands barely make contact with the top of my head.
I’m talking about rejection, mostly rejection from places I send my writing. I could be talking about jobs, too, but to be more accurate, that would be called “non-responses.” The few resumes I’ve sent out have disappeared into the universally recognized black hole of cyberspace, and about five hours after my sole interview, the company reposted the job description, a somewhat passive-aggressive rejection. Oh, and I’m about to be rejected for an unpaid “internship” assisting a freelance copywriter. Maybe we should all keep our fingers crossed for that rejection based on the unpaid aspect.
For the most part, when I receive a response from a magazine, journal, radio show, or whatever, I consider that an accomplishment. When I see that SASE in my own handwriting or an email subject “RE: Submission” I think, “Wow, this did not get lost in the junk mail folder, or underneath a desk, or in a stack of papers left for an intern not-yet-hired.” My spirits perk up as I can’t help but believe that someone pretended to read my submission.
I’ve received so many rejections in January it’s as if editors across the nation made New Years Resolutions to get through their slush piles. I have enough rejection letters that I can (and will, now that I think of it) critique and rate the quality of the various letters. Since that might take awhile, for now I’ll just tell you about some of the rejections:
I was REJECTED from an all female writer’s colony in Washington State. Judging by the name, Hedgebrook, there’s a good chance I saved myself from voluntary commitment to a sanitarium. Hedgebrook told me the notification letters would go out at the end of December, but I, an extra special rejectee, received mine in November. I probably never made it to the second round of consideration, which would mean only my “Why do you deserve to be here?” essays were rejected and my writing samples never looked at. Not so bad since I probably don’t deserve to be there.
I was REJECTED from This American Life, but who hasn’t been. I was also REJECTED from a magazine called make/shift, but the editor said I could submit again, probably because the submission numbers are low, or because that is simply part of that magazine’s form letter. I should point out that in all the rejection letters I’ve received none of them have even a quick hand-jotted, “entertaining.” We all should have goals and mine is a personal comment on a rejection letter.
I was REJECTED from reading at not one, but two local literary series. These hurt my feelings, one more than the other. The call for submissions asked for humor writers to read short personal narratives like those of David Sedaris and Augusten Burroughs at a first-time unestablished event. This is what I do. This is all I can do. Write and read funny shit aloud. That rejection hurt. A blast of mace to the heart. And I’d be a jerk to call the other event that rejected me dinky, because it isn’t, but is there anyone who wants me to read anything anywhere?
“Writing is Rejection,” teachers say. That is when they aren’t saying, “Writing is Revising.” (It was disappointing to find out I have to do all this revising only to be rejected.) Today I arrived at Chapter 5: The Rejection Section in the book I’m reading called Putting Your Passion Into Print. (PYPIP is a pretty decent guide to publishing, proposals, the book business, despite having what I consider to be a tacky title but according to what I’m learning in the book, exactly the kind of marketable title appropriate to the content.
There was one thing I expected to read a lot of in this section: anecdotes of success stories and a list of the many famous writers who have been rejected, or as the punk who scribbled in my library copy wrote about the rejected: “The whole wide world of writers!” The chapter opens with John Kennedy Toole and the Confederacy of Dunces, an anecdote with the lesson that you should not to kill yourself before winning the Pulitzer Prize. There are also quotes regarding famous books once rejected as manuscripts, and statistics, which I like, specifically, “Joe Quirk wrote five novels and received 375 rejection letters” before publishing a bestseller. Just when I started to feel inspired, I realized that the PYPIP authors did not include the multitudes of people who write and submit and write and submit and write and then die. Rejected. And, the rejections the authors are talking about refer to book-length manuscripts, one hell of an accomplishment to complete such a thing. I’m getting rejected over twenty pages tops. I don’t even have a manuscript available for rejection. And, the authors are talking about manuscripts that are rejected for a variety of reasons usually regarding marketability, and not the most common problem I see at the literary agency where I intern, which is the quality of writing just isn’t good enough. I know this is often a problem with my work, too.
Things I try to remember: collect as many rejections as possible in order to find the elusive acceptance. This is why I used the word rejection so many times in this post, to get all the rejections out of the system. Unfortunately, I had an essay that a respectable website wanted to publish and pay me for, but because the essay had previously won a contest, I couldn’t offer the magazine first time rights and they wouldn’t take sloppy seconds. And that same essay is being considered for an anthology, but will most likely be rejected since the reader said it was “overwritten,” cliched and had too many adverbs, even though she still put it in the “maybe” pile. (Assume it is rejected until I tell you otherwise.) My point and the problem is that this one essay that editors have expressed some interest in is ruining my accumulation of rejections statistically necessary for an acceptance somewhere down the line.
I hope I didn’t get too depressing with this post. I’m not depressed. I’ve been rubbing sandpaper on my body and now I have calluses and a lizard-like exterior made up of super thick skin. And get this, I asked a few former co-workers and supervisors if I could use their names as references in my job search. None of them rejected me. None. They might even say something nice about me. How cool is that.